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Na escala de Fa menor mel6dica, cromatizando descendentemente ate a nota F. Note a cromatizacao com ''pedal'' na melodia no terceiro grupeto do primeiro compasso e no segundo grupeto do segundo compasso. Fm7(9) Frase 34: basicamente crornatizacoes da escala mixolfdia, esta frase pode ser aplicada sobre outras situacoes harmonicas. Sugestoes: C7(#1 l), C7(13), Gm7, Em7(b5), Bb7M(#l l). cl (9) ~ ---1111--- • Frase 35: construfda por cromatizacoes na escala La menor melodico, esta frase inicia por uma aproximacao cromatica dupla para uma tensao do acorde (T9). Am6 ~ • • • Frase 36: esta frase inicia com uma ideia na escala de D Blues, seguida de cromatizacoes sucessivas, terminando com uma ideia na escala D lfdio b7. D7(,t) I ' --65 • A arte da Improvlsacao 4. Progressoes para a pratica de improvisacao com as escalas simetricas Com o auxflio de um gravador ou um colega, pratique a improvisacao sobre situacoes harmonicas que possibilitam o uso das escalas de tons inteiros e diminuta. As ideias cromaticas podem ser aplicadas sobre qualquer situacao harmonica, devendo ser aplicado apen as o conceito de notas ''alvo''. Experimente aplicar as frases de exemplo em situacoes praticas. Progressao 10: Frevo • Esta progressao e encontrada norrnalmente como introducao ou final de uma rmisica em D6 maior. C iOnico. . . . . . . . . . C7M Bb dim . .. . . . . .. . .. . . . . . . . . . . . A7(b9, 13) D d6rico. Om7 . . . .. . . . . . . . . Ab dim G7(b9, 13) . 0 Progressao 11: Bines Esta e uma progressao standard de um Blues de 12 compasses em F tons int Fa maior. Bb lidio b7 B dtm no Bb7(13) F7(#5) . . . .

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