Soul singles

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Born Joseph Arrington Jr. in Rogers, Texas, in 1935. He was an R&B soul, southern soul, deep soul, and funk disco singer who got pretty famous in the 60s and 70s.Joe had a brand of southern soul, mixing the styles of RnB, funk, gospel, and country music. It was through this brand that he gained so much success in the 60s.After four consecutive wins from the Apollo Theatre, Joe got signed to King Records in 1955. This signing marked the beginning of his commercial music career.Though he recorded and released many singles between 1955-64, none of his singles made it to the charts. It was such a struggle for him until 1964, after recording his first single hit called “Hold What You’ve Got.”He released this single in 1965, and it received so much success and love from the people. It debuted at position five on the Billboard, making Joe one of the best singers in the 60s.Several other singles came out soon after, including “Skinny Legs and All” in 1967 and “I Gotcha” in 1972. While most of these singles got featured on the RnB charts, a few made it to the top 40 on the Billboard.This 60s legend went on to have 4million selling hits, which confirms how great and determined he was. A man who never gave up despite his deemed failures from 1955-1964.Chuck JacksonBorn in 1937 in Latta, South Carolina, Chuck was a producer, songwriter, and singer. At only six years, Chuck started singing gospel music in the church choir in South Carolina.His singing talent even got him a 15-minute gospel show at a local radio station where he would sing and play the piano. Chuck’s commercial musical career started in 1957.He joined The Del-Vikings, the chart-topping Doo-Wop group, the same year singing as a lead vocalist. As a group, they released a hit song called “Willette.”He would then leave them in 1959 to get signed to Scepter Records, a branch of the bigger Wand Records. While there, Chuck recorded his first single, “I Don’t Want to Cry,” in 1960, working with Luther Dixon, and in 1961,

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When Seattle grunge went mainstream, it was only a matter of time before the ripple effect spread to regions other than the Pacific Northwest. The Georgia-based quintet Collective Soul developed the genre into a succinct type of angst, turning the sonic cacophony of grunge into radio-friendly hard rock. After rising to popularity with their debut album, 1994's Hints, Allegations & Things Left Unsaid, the band enjoyed a number of hit singles during the '90s, including "Shine," "The World I Know," and "December." As the nu-metal scene increased in popularity and threatened Collective Soul's audience, the group began experimenting with their sound, but returned to their rockier roots with 2004's Youth. From that point forward, Collective Soul worked steadily, balancing touring with new albums and eventually setting up their own indie imprint called Fuzze-Flex, where they released such vigorous albums as 2022's Vibrating and 2024's Here to Eternity. Collective Soul (whose name borrowed from a line in Ayn Rand's book The Fountainhead) were formed in the small town of Stockbridge in the early '90s by principal songwriter Ed Roland (lead vocals/keyboards/guitars), guitarists Dean Roland and Ross Childress, and rhythm section Will Turpin (bass/percussion) and Shane Evans (drums/percussion). Originally released in 1993 on the Atlanta indie label Rising Storm, the debut effort Hints, Allegations & Things Left Unsaid proved popular enough on the local level that it was picked up the following year by Atlantic. Within months of its major-label release, "Shine" became a modern rock and MTV staple, and Collective Soul found themselves laden with a platinum debut, an arena tour alongside Aerosmith, and a spot on the roster for Woodstock 1994. The bandmates released an eponymous sophomore effort the following year, which spawned five Top Ten hits on the Hot Mainstream Rock chart. Two such singles, "December" and the symphonic "World I Know," also charted in the Hot 100 Top 40, demonstrating the band's crossover appeal and gathering multi-platinum sales for the album. Although Collective Soul's fan base began to wane upon the release of 1997's Disciplined Breakdown, the 1999 effort Dosage was a return to form, yielding the hit singles "Run" (another crossover hit) and "Heavy." Despite the band's best efforts, however, the post-grunge style had begun to suffer under the weight of the emerging nu-metal scene, and the band's heyday drew to a slow close. Collective Soul returned in 2000 with Blender, an image-seeking misfire that saw the

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